At the end of the day, the wall of memories was all joyful, to which Joy says, "another perfect day." However, Pixar helps us see that a perfect day may not mean a wall full of joy. Even when she ought to be afraid or angry, the team works it out so she responds happily. For much of the film, the task of Riley's emotions is to keep her happy. The film is ultimately concerned with two things: vulnerability and selfishness. This allows us to empathize with Riley on a whole new level and also ask questions about ourselves. We are presented a girl and her emotions. No toys are coming to life and there aren't any monsters waiting in Riley's closet. For the first time, we are presented with a very realistic space for a children's movie. Also, there are essentially two stories operating at the same time and each affecting one another one inside Riley's head with the cast of emotions, the other outside as Riley interacts within her world. The somewhat unclear roles and relatively small number of characters in the film make us watch, waiting to see how things will be resolved. In fact, one might argue that Joy is the main character, the hero, and the villain. This film stands out in Pixar's lineup to this point because it doesn't have a clear villain. Besides some mild cartoon violence and character driven humor between the emotions in Riley's head, the film is very family friendly. Fear does kind of rescue it for safe keeping). The emotions inside Riley's mother's head fantasize over a past "love interest" of her character, but in the end, they throw the memory of him away (for the most part. Riley has a dream in which she forgot to wear pants, but all we see are bare legs from the knee down. There is a shot of Riley's bottom as a baby as she is being silly and running away from her father who is trying to dress her. Anger has a "swear word" button which he begs his fellow emotions to let him "hit." Towards the end of the film, we are told he has more than one of these, presumably because Riley learned more swear words. The film was, all things considered, very clean as well.
The team at Pixar did their psychological research. There is more to this story than good writing. Besides emotion, it also explores a person's thought process, memory, and even morality. However, the brilliance of Inside Out is it allows us to get a feeling for why we experience these wide array of responses. They do well in portraying the major ones, but are able to distinguish these from other emotions we feel, such as apathy and uncertainty.
One thing which is honed and perfected is the task of portraying emotions. The animation in the film is above par for the team at Pixar. While each of these characters is unique in their own right, their interactions with each other, and how it affects Riley on the outside, is essentially what drives the story. The voice casting not only fits these characters, but serves to embody what one thinks those emotions would sound like. And last, Sadness (voiced by Phyllis Smith of TV's The Office) is a short blue woman who finds the sad angle of any situation. Fear (voiced by Bill Hader), a lean, purple man is always concerned about every possible outcome. Disgust (voiced by Mindy Kaling) is a fashionably savvy green girl in charge of keeping Riley away from "toxic" items and situations. Anger (voiced by Lewis Black) is a short, red, uncomfortable looking man in stuffy clothes.
Her form isn't completely solid and she has a glow which is evident throughout the course of the film. Joy (voiced by Amy Poehler) is depicted as a lively, sprite/fairy-like character. At the wheel of her emotional switchboard are five emotions Joy, Anger, Disgust, Fear, and Sadness. Interestingly, Riley is a central character and also the setting of the film. Inside Out opens inside of Riley's (voice of Kaitlyn Dias) head. Pixar is putting a lot on the line to produce a family film unlike what viewers have grown accustomed to. One thing becomes clear early on, this isn't a standard issue Pixar feature. Almost two full years since Monster's University, Pixar's summer feature, Inside Out takes us on an adventure into the mind of an eleven-year-old girl in an attempt to help us understand the human person and our own emotional selves. With no film released in 2014, Pixar fans have eagerly awaited the studio's next project.
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